Wednesday, December 1, 2010

RoseLee Goldberg and Doryun Chong honored at Independent Curators International for 35th year anniversary




This year, ICI will honor two curators whose insightful work reflects this approach to curatorial practice, RoseLee Goldberg and Doryun Chong. You know RoseLee will be rocking some bad ass leather pants, as per usual.

RoseLee Goldberg, Director of PERFORMA, is the recipient of the fifth Agnes Gund Curatorial Award for outstanding achievements in the field. Goldberg is honored for her seminal study, Performance Art: From Futurism to the Present (1979), a leading text for understanding the development of the genre; and for her work in developing new platforms for the presentation of experimental practice, in particular her vision in the creation of PERFORMA. ICI looks forward to working together with Goldberg on an exhibition and a curatorial training program in 2011.

Doryun Chong, Associate Curator of Painting and Sculpture at MoMA, will receive the first Gerrit Lansing Independent Vision Award, which has been inaugurated to reflect ICI's commitment to supporting international curators early in their careers. Chong is honored for his multiple, global understandings of artworks and their contexts, including his groundbreaking lexicon on Huang Yong Ping's complex web of meanings, intentions, history, conflict, and culture. In addition, he is being recognized for the recent exhibitions he has curated and co-curated in a range of venues nationally and internationally, including Brinkmanship: Park Chan-Kyong and Sean Snyder (REDCAT, 2010) with Clara Kim; and Brave New Worlds (Walker Art Center, 2007) with Yasmil Raymond. As part of the award, Chong will receive a research grant and develop an ICI public program in 2011. An interview by Executive Director Kate Fowle, focusing on his practice to date, will be featured on ICI's website.

The formal presentation of the awards will be made by Klaus Biesenbach, Director of PS1 Contemporary Art Center, at ICI's 35th Anniversary Party on Thursday, December 9, 2010, at Park Avenue Armory, New York. Alix Pearlstein will be presenting a new performance work in honor of RoseLee Goldberg.

About Independent Curators International (ICI):

Founded in 1975, Independent Curators International (ICI) produces exhibitions, events, publications, and training opportunities for diverse audiences around the world. A catalyst for independent thinking, ICI connects emerging and established curators, artists, and institutions, to forge international networks and generate new forms of collaboration. Working across disciplines and historical precedents, the organization is a hub that provides access to the people, ideas, and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.

Headquartered in New York, ICI is a small non-profit with an expansive purview. In 35 years of operation it has organized 116 traveling exhibitions, as well as numerous events, publications, and training opportunities for diverse audiences around the world, profiling the work of more than 3,700 artists. The shows have been presented in 590 museums, university art galleries, and art centers in 48 states and 25 countries worldwide, including Argentina, Brazil, Canada, the Czech Republic, Denmark, England, France, Germany, Iceland, Israel, Italy, Mexico, New Zealand, Poland, Romania, Spain, Sweden, and Taiwan. Experienced by nearly 6 million people, the exhibitions and events have attracted extensive local, national, and international press, and are placed in a critical framework through accompanying catalogues and books published by ICI.

Wednesday, September 29, 2010

Monday, September 20, 2010

Parisienne Commercials

Between 1990-2001, leading Swiss cigarette brand 'Parisienne' commissioned a series of commercials by internationally renown film directors. I'm not entirely clear why, but the company specified that the directors use the brand's original name, 'Parisienne People,' in this series, which were screened in previews in Swiss and French cinematheques before film trailers. Aside from the stipulation that each commercial use the former name of the company, each director was given full creative freedom over their commercial, thereby encouraging distinctive aesthetics and directorial styles. I would like to do more research on these commercials, however, there seems to be little information on the topic online. For now, here are the commercials, hopefully I can return to these at some point!

Not in chronological order:






















Thursday, September 9, 2010

Highlights from DJ set last night



There is a sweet video for this song, but the embedding has been disabled. Go here to see it.






Insert Jim Shepard- "Voices of Men" 7" here. OBVIOUSLY not You-Tubable.













Tuesday, August 17, 2010

Video Mix Tape #3









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Institute of the 21st Century announces two new iterations of Hans Ulbrich Obrist's 'Interview Project"

"We cannot understand the forces which are effective in the visual production of today if we do not have a look at other fields of modern life." Alexander Dorner, via HUO's Interview Project at Eyebeam, 1998.

The Institute of the 21st Century announces two new iterations of Hans Ulrich Obrist's ongoing Interview Project, an ongoing series of published and video-recorded interviews between the curator-extraordinaire and various artists, curators and cultural theorists.


via eflux:
For the 12th International Architecture Exhibition in Venice, Director and 2010 Pritzker Prize winner Kazuyo Sejima invited Hans Ulrich Obrist to realize two new projects: the NOW INTERVIEWS, six days of live public interviews and VENIC VENIC, an exhibition of Cedric Price as well as the launch of an online interactive website dedicated to the visionary architect. The NOW INTERVIEWS and VENIC VENIC will be on view from August 29 – November 21.

NOW INTERVIEWS
From August 22 through 27, Obrist will develop what he calls "a portrait of an exhibition" encouraging viewers to consider the diverse practices of all the participants in this year's Biennale, which Sejima has united within the theme "people meet in architecture." Located in the Arsenale designed by SANAA, the exhibition of the NOW INTERVIEWS will be installed on a series of monitors for the duration of the Biennale. In addition, the 2006 Serpentine Gallery 24-Hour Interview Marathon archive will be shown in its entirety. The NOW INTERVIEWS are curated by Karen Marta.


The NOW Interviews mark the first project organized by the Institute of the 21st Century in an effort to preserve and share Hans Ulrich Obrist’s Interview Project. The Institute hopes they are not just an exciting event in the present, but a gateway to understanding and supporting the project.

VENIC VENIC
Organized by the Institute of the 21st Century, the exhibition which is co-curated by Samantha Hardingham and Hans Ulrich Obrist honors one of architecture's most influential figures, Cedric Price (1934 – 2003), whose work continues to inspire young architects as well as generations of artists. Price's conviction that architecture should be flexible enough to allow the occupier to adapt the building to serve the needs of the moment reflects his belief that time, alongside breadth, length and height – is the fourth dimension of architecture.

The exhibition features the launch of an interactive website developed by the Staatliche Hochschule for Gestaltung in Karlsruhe. The culmination of a yearlong project, the website (huoarchive.hfg-karlsruhe.de) comprises hundreds of individually edited video-clips which can be used to generate a live, albeit fictional, conversation between Cedric Price and the user.


The Institute of the 21st Century is dedicated to promoting experimental modes of collaboration and patronage for the arts. Officially launching in 2011, the not-for-profit initiative’s first objective is to preserve and increase public access to Hans Ulrich Obrist’s ongoing project and archive online. Led by Bettina Korek, the Institute’s mission is founded on Obrist’s commitment to creating a living advocacy of art history through a participatory model.

"A twenty-first-century museum will utilize calculated uncertainty and conscious incompleteness to produce a catalyst for invigorating change whilst always producing the harvest of the quiet eye."